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0 Within this peripheral zone there are tremendous contrasts in landscape imagery between areas such as Devon, Cornwall and the Lake District, the scenery of which has made them places of periodic refuge for people from the south-east, and the industrial areas of the north of England and south Wales, descriptions of which are still often strongly negative, despite the landscaping of derelict areas and abandoned industrial sites, or their transformation into heritage centres.
The landscape imagery of England has also been strongly influenced by nineteenth-century landscape art, notably that of John Constable.
Scottish landscape imagery with a sense of things lost, most pal- pably in the nostalgia and romance of sites associated with the Jacobite rebellions, such as Glenfmnan and Culloden.34
landscape imagery they use has improved dramatically in recent years, so that realistic landscape models of, for example, the bat- tlefield of Gettysburg, or a Sopwith Camel pilot's view of the Western Front, can be presented.
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